June 17 through 27.įrameline is one of four festivals happening in June that indieWIRE briefly previews (the others are Edinburgh, Los Angeles and Silverdocs) and Bryce Renninger also notes that Outfest, taking place July 8 through 18 in LA, has announced its lineup. "The queer cinema aesthetics of Andy Warhol, a bounty of LGBT films from South America and a documentary about yodeling twin lesbians from New Zealand are among the highlights of the 34th edition of Frameline, the oldest and largest festival of its kind in the world." Michael Hawley introduces his preview. James van Maanen previews nine of the 15 films in the series, running through next Thursday, and will be adding his takes on the remaining six to that same entry over the next few days. supposedly paint him as a somewhat wounded yet curiously imaginative 38-year-old trying to move on from a bitter breakup via the colorful people he scripts." For Joseph Jon Lanthier, Giuseppe Capotondi's The Double Hour, "aside from cribbing its most inventive and cerebral sleight-of-hand from a top-shelf Futurama episode, seems determined to vacuum every last empathetic crumb from its cheap surprises, leaving us with a pitifully uninteresting nihilism infused with the noxious golden light of beer commercials." And Adam Keleman finds Gabriele Salvatores's Happy Family to be "a blundered, disjointed mess, presenting a thin, unsympathetic lead whose humorless whims. The House Next Door has already run two more reviews of films screening in Open Roads. Not without flashes of pensive power, director Giorgio Diritti's meticulous combination of historical tragedy and fairy tale ultimately succumbs to a dutiful worthiness less allied to the volcanic emotions of Italian masters than to the superficial polish of For-Your-Consideration Oscar hopefuls."
Open roads lincoln center series#
The Man Who Will Come, which kicks off the Film Society of Lincoln Center's Open Roads series this year, aims to further the tradition. "From the raw sorrow of Roberto Rossellini's great War Trilogy to the astringent lyricism of the Taviani brothers' The Night of the Shooting Stars, filmmakers have repeatedly returned to kids struggling to hang on to scraps of their innocence amid bombs and bullets as a means of scrutinizing the national traumas of WWII. Will it be wild and wonderful, or not? Find out at IFC Center next month."Having long become a subgenre of its own, war stories viewed through children's eyes have a special place in Italian cinema," writes Fernando F Croce.
Open roads lincoln center movie#
Now John DeLorean’s the subject of a new movie with power, politics, drugs and scandal. He upended the auto industry a generation ago. Slated, too, is a healthy dose of documentary film, including “Selfie” and “The Disappearance of My Mother.”ĭeLorean’s Back “Framing John DeLorean” Adult tickets: $16 On June 6, the annual presentation of Italian movies arrives with “Piranhas,” a look at violent young men drawn into the world of the Napoli mafia. But have no fear: the longstanding movie portion of Lincoln Center’s programming simply got a new moniker: Film at Lincoln Center. The Film Society of Lincoln Center is no more. Now the dramatic re-enactment of the Boston Globe’s reporting on the sex abuse scandal in the Catholic Church becomes part of the Wednesday movie matinee series at the New York Public Library.Īn Italian Mix “Open Roads: New Italian Cinema” Film at Lincoln Centerį/daily/lineup-announced-for-open-roads-new-italian-cinema-2019 “Spotlight” won the Best Picture Oscar in 2016. Library as Screening Room “Spotlight” showing Mid-Manhattan Library 42nd Street, Program Room With “Mary” on May 30, Ferrara shows an actor, a filmmaker and a producer engaging with biblical figures in the modern world. “Abel Ferrara Unrated” film retrospective Through May 31īronx-born film talent Abel Ferrara found fame with flicks like “King of New York” and “Bad Lieutenant,” but this Museum of Modern Art retrospective goes deeper, and shows early works and documentaries.
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